The interpretation of the music of the XVIIth and XVIIIth...

Main
Arts - Music
The interpretation of the music of the...

The interpretation of the music of the XVIIth and XVIIIth centuries revealed by contemporary evidence

Arnold Dolmetsch

0 / 0

Jak bardzo podobała Ci się ta książka?

Jaka jest jakość pobranego pliku?

Pobierz książkę, aby ocenić jej jakość

Jaka jest jakość pobranych plików?

Kategorie:

Rok:

1915

Wydanie:

1

Wydawnictwo:

H.W. Gray Co.

Język:

english

Strony:

493

Serie:

Handbooks for musicians

Plik:

DJVU, 6.28 MB

IPFS:

,

english, 1915

Ściągnij (djvu, 6.28 MB)

Trwa konwersja do

Konwersja do nie powiodła się

Możesz być zainteresowany

Robert Donington — The Interpretation of Early Music

Barthold Kuijken — The Notation Is Not the Music: Reflections on Early Music Practice and Performance

Bach, Carl Philipp Emanuel; Mitchell, William J. (ed.,trans.) — Essay on the true art of playing keyboard instruments

Arnold Dolmetsch — L'interpretazione della musica dei secoli XVII e XVIII

Leopold Mozart — A Treatise on the Fundamental Principles of Violin Playing

Hünten, Franz, 1793-1878 — F. Hunten's celebrated instructions for the piano forte [electronic resource]

Carl Czerny — Letters To A Young Lady, On The Art Of Playing The Pianoforte

Ralph Kirkpatrick — Domenico Scarlatti

Naylor, Edward W — Shakespeare and Music

Ann Bond — A Guide to the Harpsichord

Oscar Bie — History of the Pianoforte and Pianoforte Players

Edward W. Naylor — Shakespeare and Music

Lynd, William — A popular account of ancient musical instruments and their development, as illustrated by typical examples in the Galpin collection at Hatfield, Broad Oak, Essex

Carl Czerny — Letters to a young lady, on the art of playing the pianoforte

Mary Cyr — Essays on the Performance of Baroque Music; Opera and Chamber Music in France and England

Rosalyn Tureck — An Introduction to the Performance of Bach

Gillespie, John — The harpsichord works of Nicolas Le Bègue

Leopold Mozart, Editha Knocker, Alfred Einstein — A Treatise on the Fundamental Principles of Violin Playing (Oxford Early Music Series)

Walter S. Reiter — The Baroque Violin & Viola: A Fifty-Lesson Course

Paul Badura-Skoda; Alfred Clayton (trans.) — Interpreting Bach at the Keyboard

Eva Badura-Skoda, Paul Badura-Skoda — Interpreting Mozart: The Performance of His Piano Pieces and Other Compositions

Hermann Keller (editor); Carl Parrish (editor) — Thoroughbass Method

Stanley Ritchie — The Accompaniment in "Unaccompanied" Bach: Interpreting the Sonatas and Partitas for Violin

James Tyler — A Guide to Playing the Baroque Guitar (Publications of the Early Music Institute)

Nigel North — Continuo playing on the lute, archlute and theorbo

Stewart Carter, Jeffery Kite-Powell — A Performer's Guide to Seventeenth-Century Music

David Ledbetter — Bach's Well-tempered Clavier: The 48 Preludes and Fugues

Roland Jackson — Performance Practice: A Dictionary-Guide for Musicians

Johann Friedrich Agricola, Julianne C. Baird — Introduction to the Art of Singing by Johann Friedrich Agricola

Frederick Neumann — Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

Frederick Neumann — Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

David Tunley — François Couperin and 'the perfection of music'

Jerome Carrington — Trills in the Bach Cello Suites: A Handbook for Performers

The Diagram Group — Musical Instruments of the World: An Illustrated Encyclopedia

Mary Cyr — Performing Baroque Music

Jean Nandi — Starting on the Harpsichord

Jean Nandi — Skill and Style on the Harpsichord: A Reference Manual for the Developing Harpsichordist

Najbardziej popularne frazy